Nature by Emerson
Nature, Ralph Waldo Emerson's first collection of
essays, redefined man's relationship to the natural world. To Emerson,
the natural world was better than his own, offering mankind all the vivacity
and inspiration that was absent from society. The introduction and first
chapter of this work paint a vivid picture of the sheer awesomeness of nature
and man's important connection to it. Emerson asks his readers "To
what end is nature?" He answers this question through a variety of
rhetorical appeals. Emerson reveals nature's identity and convinces his
readers that the relationship between man and nature is sacred, comforting, and
vital for survival. This is done through explaining the logic of his
claims, embracing his emotions, and re-creating the beauty of nature with
words.
First, Emerson asks "To what end is
Nature?" He goes about answering this particular query with several
logical arguments. Emerson assures his readers that "We have no
questions to ask which are unanswerable". This is so because the
"order of things" in nature will answer all questions. Emerson
tries to give credibility to nature and convince his audience of its
reliability. He goes on to explain that "the universe is composed of
Nature and the Soul". Presuming that the Soul resides in each man,
Emerson makes the conclusion that "therefore, all that is separate from
us...must be ranked under this name, Nature". He also notes that
nature is anything "unchanged by man" such as the sky, the landscape,
the air etc. By slowly drawing out the definition of what nature is,
Emerson makes a somewhat vague and mysterious entity become tangible to his
readers. Emerson successfully explains what nature is by stating a claim
and then expanding on what conclusions can be drawn from that claim.
Following his description of what nature
physically is, Emerson uses speculation to demonstrate its power. In the
first paragraph of Chapter 1, Emerson writes the simple conditional statement
that "If the stars should appear one night in a thousand years, how would
men believe and adore". Here Emerson is making an assumption on the
reaction of humans to nature, but if we are to believe him then the
relationship between man and nature is starting to be revealed. Emerson
supports his speculations by talking about how "the stars awaken a certain
reverence, because though always present, they are inaccessible."
This explains why nature touches man, why a connection exists between nature
and man. Nature is distantly omnipresent, like God or Justice.
These are concepts that Emerson's readers would have been familiar with, and
Emerson uses their similarity to nature to his advantage. Emerson proves
that nature is greater than man and therefore deserves his respect.
Logically, the argument makes sense, and Emerson elaborates further on this
idea through other appeals.
Emotionally, Emerson relates to his readers
through the feelings that nature can inspire. To start, Emerson states
that "none...owns the landscape". Anyone can enjoy nature and
nature is for everyone. It's almost as if Emerson is speaking directly to
the common man as he reminds his audience that nature is universally
accessible. Next he describes an emotion everyone can relate to:
nostalgia. Emerson says that "In the woods, is perpetual
youth". This is an emotional appeal because Emerson speaks of
childhood, something that most people remember fondly and long to return
to. This statement encourages those unsatisfied in this life to seek a
former one in the wilderness. Nature is young again each spring, and man
can be mentally and spiritually recharged by it. Emerson himself has felt
changed by nature, and he expects his readers to be also. He warns though
that these emotions from nature are not random. This is because "the
power to produce this delight does not reside in nature, but in man, or in a
harmony of both".
Emerson further advances this idea of
harmony with nature in lyrical phrases and glowing descriptions. In fact,
the language and style of Nature give life to many of Emerson's
arguments. In the Introduction, Emerson uses empowering language to
motivate his readers into action and encourage them to keep reading. He
exclaims that "there are new lands, new men, new thoughts" to be
found in nature. The parallel structure of this statement is a stark
contrast to the "sepulchers" of the past mentioned earlier in the
piece. Emerson reminds readers that "The sun shines today
also". It's phrases like this that both strike the reader with power
and cause him to puzzle over their precise meaning. Overall, Emerson
gives slightly vague descriptions of nature in order to mirror the elusiveness
of nature itself. He uses stars at the beginning of Chapter 1 to
illustrate the might of nature and its simultaneous presence and distance.
He uses the sun in paragraph four of Chapter 1 to describe the knowledge that
can be gained from nature if one only keeps an open mind. Emerson's
constant referrals to nature strengthen the idea that man should embrace
nature.
Emerson also uses other figures of speech
beside imagery in his essay. Because "our age is retrospective"
and obsessed with the past, Emerson wants readers to look at the world
anew. Using a simile to describe this, Emerson says that "a man casts
off his years [in nature], as a snake his slough". Emerson
incorporates nature into his figures of speech, creating continuity throughout
the piece. One of Emerson's main points in the essay is that "in the
tranquil landscape...man beholds somewhat as beautiful as his own nature".
By using imagery and language to recreate this "tranquil landscape"
of nature, Emerson gives his readers a preview in his essay of the wonderful
self-discoveries awaiting them in nature.
The organization of Emerson's Nature plays an important part in its
persuasiveness. To start, the introduction sets up the questions and
subjects that Emerson plans to tackle in his essay. The first two
paragraphs contain the biggest questions (What is nature and Why should we
care), and the last two paragraphs briefly answer them. Then Chapter 1
delves more deeply into the inhumanly beautiful mysteries of nature. The
reader is seduced by Emerson's mastery of language as he recreates the sublime
perfection of nature line by line. It's as if you're walking in the forest
right beside him, a pair of "transparent eye-balls" taking in nature
and reflecting on it. In Chapter 1, speculation in the beginning about
stars and emotions soon turns to hard facts. Emerson's tone becomes less
sing-song and more concrete towards the end of the essay when he declares the
"certain" connection between man and nature. Chapter 1 ends
with a warning that it takes both man and nature to create
happiness. "Nature always wears the colors of the spirit", so
if man does nothing to improve himself, nature will only reflect his
shortcomings.
It is nearly impossible to mention every
rhetorical devise and strategy that Emerson uses in Nature. Emerson's
loftiness can sometimes lead readers astray, but his underlying logic is
sound. His subtle emotional pleas also touch readers on a different level
without being overbearing. Emerson's use of descriptive imagery to make
his points is his way of revealing man's relationship to nature as opposed to
bluntly stating it. Emerson proves that rhetoric can be used to not only
take action but advance one's own personal ideas. In the end, the essay
is successful in uncovering truths both about nature and human nature.
Nature is a noble entity that every man can relate to. However, Ralph
Waldo Emerson only takes the reader halfway, for the stars will always be
unattainable unless he "demand [his] own works". The time for
mankind's power and motivation has come.
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